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In 2020, the singer, songwriter, and pop auteur Angélica Garcia was sitting before an altar that she constructed in her bedroom, as part of the process of her vibrant, prismatic third album, Gemelo. The altar was the culmination of Garcia’s new inquiry into ancestral veneration: looking into the past to inform the present with familial knowledge, helping distinguish her intuition from her conditioning. As a 29-year-old woman raised by an Episcopal priest father in a traditional Latino family structure, she had devoted her recent years to a process of monumental deconstruction of religion, spirit, heritage, and womanhood, confronting grief and healing.